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Van Tine, who took just a two-hour break from the Ziegfeld that day to shoot other events, is philosophical about the business. Ten hours for five minutes- Was it worth it? When the stunning Aussie arrived almost 10 hours later, transforming the walkway into a frenzy of flashing cameras, jostling bodies and shouted requests (Nicole! Look this way!), most hoped she would give a little face time to the pack.īut Kidman posed for roughly five minutes before moving down the carpet, her slim figure then only visible on digital camera screens. Many arrived at 9 a.m., signed in for a spot beside the red carpet, then waited. The day started early for Dennis Van Tine and 50-odd photographers gathered outside Manhattan's Ziegfeld Theater for the premiere of Nicole Kidman's newest flick.

What exactly is that job, and how did they get that shot of Brad and Angelina anyway.

Vilified by the stars they capture and sneered at by the public who ogle their shots, paparazzi say they're just doing their jobs. You're standing so close, the angle looks funny.'. 'She's tall,' explains photographer Dennis Van Tine, 'and she's a beanpole. This sort of picture is especially difficult to get with Kidman.

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Full body shots, which showcase the elaborate designer outfits stars favor, are the most lucrative. The photographs they take will sell to countless celebrity magazines-both domestic and international-for $150 to $300. By 2 P.M., more than 35 paparazzi are waiting with him, reading, chatting and talking on the phone.

The first photographer to arrive on the scene showed up at 9 that morning. The premiere of Bewitched, starring Nicole Kidman and Will Ferrell, is scheduled that evening at 7. Gerber and approximately 50 of his colleagues are waiting in a small plaza next to New York's Ziegfeld Theatre on a stifling June day. But don't get me wrong: We do pretty good-$60,000, maybe $100,000 a year. 'Paps don't want people to quit their day jobs and compete for pictures out there with the rest of us, so they lie about how much they're really making. 'Don't believe what they say about the money,' Mitch Gerber, a New York City-based paparazzo, says gruffly. Whether they’re Oscar winners, overpaid athletes, or B-movie bimbos, they all have one thing in common: If you pay them, they will come. Radar interviewed corporate and celebrity publicists, agents, and event planners to uncover the price ranges of the most craven celebrity moonlighters. If you’ve ever wondered what, say, Eva Longoria was doing at a party for a furniture polish, now you know. The pie-eyed pics pad the glossy pages of Star, People, In Touch, and Us Weekly. These contrived scenes are the bread and butter of celeb-starved networks such as E! and VH1. “Even that Jackass guy Bam Margera gets paid to go out,” sighs one veteran publicist.

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Whether they’re mugging for cameras at booze-sponsored bashes (Carmen Electra), dangling like bait at nightclubs (Sean “Diddy” Combs), or gleefully performing the Wal-Mart cheer at corporate conclaves (Halle Berry), the industry’s dirty little secret is that you can actually pocket six figures for walking a red carpet, partaking of free booze, and-if you’re feeling supermagnanimous-actually talking to a guest or two.

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Read the entire transcript in the November issue of Radar, on newsstands now.by Tyler Gray and Mac MontandonĪs America’s appetite for celebrity reaches an absurd frenzy, greedy A-listers and Z-listers alike are quietly cashing in on the booming personal appearance market. The Celebrity Appearance Fee Face-Off! How much would it cost to lure Star Jones to an eating contest? An excerpt from the phone prank everyone’s talking about. It's funny how celebrities complain about the press being greedy but check this out.